Into the dark.

Today I was thinking about the future of Japanese Rock and the bands that currently exist, are forming and whats happening there.. I suppose this fits into the category of predictions and magical monkfish insight.

We all know that the average life span of a Japanese Rock band is like 3 years.. Which is probably 1-2 albums and a few singles. I would assume that the reason for such an ephemeral existence is pride. Japanese people have lots of pride and definitely will never intentionally lose face.. so the result is that when an arguement happens internally in a band, rather than come to a conclusion and work together, people will leave and as my friend pointed out, musicians in the Japanese rock world don't really like talking about past projects. So we never really find out why these things happen.

Anyway here's my insight for the day:

MUCC is going to keep expanding and putting out whatever they feel like, until someone decides to grow cornrows, and MUCC disbands.

Gilgamesh is going to get a bit more popular, but never become HUGE.

D'espairsRay is going to start playing many shows overseas, get steadily more popular, but never break out of the indie scene. I also see the future music being excellent :D

Sadie is going to get a lot more popular, but put out not as good music, and lose steam. (they are putting out a new mini album in July too)

Dio is pretty interesting, I can't really tell whats going to happen there.. but I don't see them sticking around for too long.

The Studs are going to be a huge hit, even though their music isn't going to be amazing (Sorry Daisuke D:)

D (I have to say I've been really enjoying D recently) I don't see them as horribly ambitious but I think they will continue putting out amazing music and making me happy :D

UnsraW can go in one of two directions, either going back to their earlier musical style and kicking ass, possibly becomming hueg in the indie scene, or they will continue with the style of their last album and fall on their faces.

And last but not least I don't see much of a future for Dir en grey. Mostly because after Withering to Death, which I liked mostly because I was in Japan and seeing their live when it came out, they are trying to become an American sounding band. Unless they can put out original delicious stuff with the creativity of their old music, its over. (they will struggle, still being successful but musically laem, until the band members realize whats happening and leave.)

I see a rising star, for definitely Syu of Aushvitz, Galneryus and Animetal is going to join or start some kind of super band and become legendary. At least if he leaves the indie world he will.. and I'm all for it, I want to see this guy succeed.

Jrevolution LA

As I'm sure you all know, there is a massive 2 day Jrock festival ('Jrock Revolution') in LA at the end of May, which I am required by powerful forces to be at. This is seriously the event I've been waiting for, for years. MANY YEARS! So anyway here's the lineup:



Alice Nine
D'espairsRay
Duel Jewel
Gilgamesh
Kagrra
Merri
Miyavi
MUCC
Vidoll

(I've already seen Alice Nine [opening for Kagrra at the Shibuya AX], D'espairsRay and MUCC live shows, but I am looking foward to seeing these bands play together :D)

And I'm pretty sure there is going to be some interesting exciting unscheduled craziness (perhaps an announcement about X-Japan reforming) I know Yoshiki is planning on doing SOMETHING crazy, maybe like X-2 or something.. He's been talking about Gackt, Sugizo and Toshi a lot.

On the subject of X-Japan, I know that Heath and Pata would probably be down for some new project, and recently I read Toshi's blog about how he started talking to Yoshiki again and they are interested in working together. HOWEVER I do not forsee hide returning to X-Japan for obvious reasons, and just because hide isn't gonna be part of it, it will be impossible to successfully reform X in any way.

I also have to add that I really dont like Miyavi or Alice Nine, but I enjoy all of the other bands to some degree, especially MUCC, D'espairsRay, Gilgamesh and Merri. But going all the way to LA for a show is kinda silly, but this is a first I can't afford to miss (under pain of death x_x;)


P.S.
I have a special review blog planned for the comming days, so stay tuned~!

..With a bang.

Since today is the beginning of my Visual Kei blogging odyssey, I will start off with 2 whole album reviews; D'espairsRay's MIRROR and Lynch.'s THE AVOIDED SUN and a discussion on the trends I am seeing.. with a general overview of my perceptions.

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D'espairsRay - MIRROR

MIRROR is D'espairsRay's second full length album, the first being [Coll:Set]. Really, I view [Coll:Set] as a real masterpiece and since its release I have looked foward to ANY new D'espairsRay releases and haven't been disappointed once. This album is definitely up to par with their recent releases, delivering a solid, enjoyable experience through and through. I have to warn though, there are a lot less electronics present in this release for those who enjoy the industrial element, which for me is a big part of why I enjoy D'espairsRay so much. Usually that would bother me but this album really feels balanced and there are still electronics, but the emphasis is on the amazingly orchestrated ROCK this time.

I have to say, MIRROR is less industrial/metal than [Coll:Set] and is slightly more on the softer side musically. Content wise, MIRROR is just as heavy as anything D'espairsRay has put out. Putting less emphasis on the electronics and super heavy guitar/bass and more emphasis on emotion and melody make this album feel a lot more human. This album is beautiful and I highly recommend it to anyone who enjoys D'espairsRay.

The tracks that stick out for me on MIRROR are DAMNED, ANGEL DUST and the already established single songs Kogoeru Yoru Saita Hana and Squall.


I give MIRROR by D'espairsRay 86% on the awesome meter.

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Lynch. THE AVOIDED SUN

THE AVOIDED SUN is Lynch.'s first full length album, being preceded by the mini-albums, Greedy Dead Souls and Underneath the Skin. Lynch. is still a relatively new band in the Nagoya Kei scene, but have quickly gained popularity and a reputation for holding killer live shows. I look foward to any release Lynch. puts out because they are one of the few really hard bands around and are also completely super talented and respectable. I have to say I was minorly disappointed by this album; it doesnt feel very long and overall it seems less brutal than most of their previous releases. However this music is the cream of the crop, Lynch. is some of the real interesting music that has been coming out of Japan and my expectations are ALWAYS unrealistically high for bands that I really enjoy.

Overall you have to be in a certain mood to be able to listen to Lynch. (at least for me to really enjoy it) but when I am in this mood, THE AVOIDED SUN is absolutely amazing. After Lynch.'s initial releases, the band has lost the sort of stiff feeling the music had and everything sounds more fluid and comfortable, which makes listening easier. This album is a great example of that, you can feel the synergy between the musicians now and it's very enjoyable. THE AVOIDED SUN is slightly lighter than previous Lynch. musics, but that doesnt hurt the album too much for me. Again content-wise this album feels very rich, like huge amounts of thought and care were put into creating it.

I also have to say that the vocalist and composer, Hazuki is damned talented and one of the few musical geniouses producing music in Japan these days. I love all the bands he's done vocals for. (including Berry and Deathgaze)

The songs that grabbed me from THE AVOIDED SUN are Liberation Chord, Anemone (Laputa: Castle in the Sky anyone?) and Prominence.


I give Lynch's THE AVOIDED SUN a 73% on the awesome meter.

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I hope you guys enjoyed my first album reviews :D

This post is dedicated to Nata-bot for introducing me to both Lynch. and D'espairsRay.
(I had heard of both bands but had never listened to either one until she insisted that these bands were amazing.)